Suite for Two Cellos
Suite for Two Cellos, Harriet Steinke
for two cellos
In February of 2017, I had just given my first recital at the Cleveland Institute of Music, and had started planning for my next recital. I was toying with programming the Suite for Solo Cello by Benjamin Britten when, around the same time, Harriet sent me a message saying she had just listened to that very piece for the first time and wanted to write a piece like it. The piece took shape over the next several months. I had initially asked for a piece for solo cello, but it was Harriet’s idea, quite early in the process, to add a second cello part. Although this piece took its initial cues from Britten’s Suite for Solo Cello, and I did program the two pieces alongside each other, Harriet’s “Suite for Two Cellos” draws the bulk of its inspiration from the very fact of its instrumentation.
—Kellen Degnan, 2021
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Suite for Two Cellos
Suite for Two Cellos, Harriet Steinke
for two cellos
In February of 2017, I had just given my first recital at the Cleveland Institute of Music, and had started planning for my next recital. I was toying with programming the Suite for Solo Cello by Benjamin Britten when, around the same time, Harriet sent me a message saying she had just listened to that very piece for the first time and wanted to write a piece like it. The piece took shape over the next several months. I had initially asked for a piece for solo cello, but it was Harriet’s idea, quite early in the process, to add a second cello part. Although this piece took its initial cues from Britten’s Suite for Solo Cello, and I did program the two pieces alongside each other, Harriet’s “Suite for Two Cellos” draws the bulk of its inspiration from the very fact of its instrumentation.
—Kellen Degnan, 2021
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Suite for Two Cellos, Harriet Steinke
for two cellos
In February of 2017, I had just given my first recital at the Cleveland Institute of Music, and had started planning for my next recital. I was toying with programming the Suite for Solo Cello by Benjamin Britten when, around the same time, Harriet sent me a message saying she had just listened to that very piece for the first time and wanted to write a piece like it. The piece took shape over the next several months. I had initially asked for a piece for solo cello, but it was Harriet’s idea, quite early in the process, to add a second cello part. Although this piece took its initial cues from Britten’s Suite for Solo Cello, and I did program the two pieces alongside each other, Harriet’s “Suite for Two Cellos” draws the bulk of its inspiration from the very fact of its instrumentation.
—Kellen Degnan, 2021
