Omen
Omen, Evan Zegiel
for trumpet and fixed media
The title of Omen was inspired by the Schechter “Omen” model guitar which I had purchased right around the time I began composing this piece. Further inspiration behind the title for this piece came from the many trials and tribulations brought on by the COVID-19 pandemic. For a while, many of the omens we received were foreboding and dangerous. For many months, it seemed that each day brought new and more terrifying news about this terrible coronavirus. After so many lives had been claimed globally, February and March brought hope and light, as vaccine rollouts began to ramp up. This was the perfect time for me to compose this work, and I am immensely grateful to Patrick Oliverio for reaching out and for helping to gather the consortium which funded the creation of this piece.
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Omen
Omen, Evan Zegiel
for trumpet and fixed media
The title of Omen was inspired by the Schechter “Omen” model guitar which I had purchased right around the time I began composing this piece. Further inspiration behind the title for this piece came from the many trials and tribulations brought on by the COVID-19 pandemic. For a while, many of the omens we received were foreboding and dangerous. For many months, it seemed that each day brought new and more terrifying news about this terrible coronavirus. After so many lives had been claimed globally, February and March brought hope and light, as vaccine rollouts began to ramp up. This was the perfect time for me to compose this work, and I am immensely grateful to Patrick Oliverio for reaching out and for helping to gather the consortium which funded the creation of this piece.
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Omen, Evan Zegiel
for trumpet and fixed media
The title of Omen was inspired by the Schechter “Omen” model guitar which I had purchased right around the time I began composing this piece. Further inspiration behind the title for this piece came from the many trials and tribulations brought on by the COVID-19 pandemic. For a while, many of the omens we received were foreboding and dangerous. For many months, it seemed that each day brought new and more terrifying news about this terrible coronavirus. After so many lives had been claimed globally, February and March brought hope and light, as vaccine rollouts began to ramp up. This was the perfect time for me to compose this work, and I am immensely grateful to Patrick Oliverio for reaching out and for helping to gather the consortium which funded the creation of this piece.
