Piano Etudes (Books 1 and 2)
Piano Etudes, Book 1 and 2, Haralabos [Harry] Stafylakis (2018)
for solo piano
The Piano Études, an ongoing compositional project, are intended as a playground for me to probe the possibilities of the instrument within the context of my personal musical language. It is a venue in which individual technical and musical problems are explored and workshopped, with the goal of developing a more nuanced compositional command of the instrument for future use in my growing repertoire of solo, chamber, and orchestral music.
Organized into books, each set of études features two types of short pieces: an “obstinata”, which explores the more aggressive, metal-oriented elements of my style, and a “fabrica”, which focuses on aspects of sonority and texture.
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Piano Etudes (Books 1 and 2)
Piano Etudes, Book 1 and 2, Haralabos [Harry] Stafylakis (2018)
for solo piano
The Piano Études, an ongoing compositional project, are intended as a playground for me to probe the possibilities of the instrument within the context of my personal musical language. It is a venue in which individual technical and musical problems are explored and workshopped, with the goal of developing a more nuanced compositional command of the instrument for future use in my growing repertoire of solo, chamber, and orchestral music.
Organized into books, each set of études features two types of short pieces: an “obstinata”, which explores the more aggressive, metal-oriented elements of my style, and a “fabrica”, which focuses on aspects of sonority and texture.
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Piano Etudes, Book 1 and 2, Haralabos [Harry] Stafylakis (2018)
for solo piano
The Piano Études, an ongoing compositional project, are intended as a playground for me to probe the possibilities of the instrument within the context of my personal musical language. It is a venue in which individual technical and musical problems are explored and workshopped, with the goal of developing a more nuanced compositional command of the instrument for future use in my growing repertoire of solo, chamber, and orchestral music.
Organized into books, each set of études features two types of short pieces: an “obstinata”, which explores the more aggressive, metal-oriented elements of my style, and a “fabrica”, which focuses on aspects of sonority and texture.
